This week on Rhode Island Public television,
WSBE: (Comcast 294, Cox 808, Full Channel 109, and Verizon 478)
Don Giovanni
Great Performances at the Met
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Saturday, December 29 -- 8:00pm; Sunday, December 30 -- 3am; Monday, December 31 -- 12am
Don Giovanni
Baritone Mariusz Kwiecien stars as the serial seducer "Don Giovanni," who swaggers his way to eternal damnation in this production of Mozart's 1787 masterpiece, which costars soprano Barbara Frittoli as the fiery Donna Elvira.
DURATION: 180 MIN
DETAILS: [CC] [STEREO]
GENRE: PARENTS PICKS
TO Hear
La ci darem la mano sung by Dmitri Hvorostovsky & Renee Fleming,
click on
click on
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Next week, Saturday, January 5
at 12:00pm, the Met-HD simulcast will be LES TROYENS
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MONTHLY BROADCAST FROM THE SAN FRANCISCO OPERA ON KDFC STREAMING RADIO
Click on http://www.kdfc.com/Listen-Online-/5809385 ("Listen Now") This broadcast can be heard at 11pm on the East Coast.
General Director’s choice:
Fille du Regiment by Gaetano Donizetti
SAN FRANCISCO (October 2, 2009)—San Francisco
Opera presents Gaetano Donizetti’s classic opera La Fille du Régiment (The
Daughter of the Regiment), opening October 13 with six subsequent performances
through October 31 at the War Memorial Opera House. This production is
headlined by the dazzling coloratura soprano Diana Damrau as Marie and Peruvian
tenor Juan Diego Flórez as Tonio. Renowned director Laurent Pelly makes his
Company debut in a production that has delighted audiences in New York, London
and Vienna and conductor Andriy Yurkevych makes his U.S. debut with these
performances.
Donizetti’s comic opera La Fille du Régiment
tells the story of Marie, a rambunctious tomboy raised by the soldiers of the
21st Regiment and the native Tyrolean boy who loves her, Tonio. When Marie’s
mother, a wealthy aristocrat, reunites with the daughter she once abandoned,
she attempts to teach the stubborn Marie how to act like a lady and arranges
her marriage to a prestigious Duke. In the end, Tonio’s devotion to his beloved
and Marie’s kind heart convinces her mother that the two should be together,
and the Marquise gives her blessing to their marriage.
My favorite San Francisco Opera poster
Rosie’s Corner
I had the opportunity to attend the Met's Les Troyens, starring Susan Graham, Deborah Voigt, and Marcello Giordani. It was a wonderful experience. Susan Graham was a magnificent Queen Dido of Carthage, and Deborah Voigt was commanding as the tortured Trojan seer Cassandra, who foretells the coming destruction of her beloved city and the death of her people. The Met is simulcasting it on Saturday, January 5; I plan to see it again.In the meantime, I am looking to reread Virgil's Aeneid; my inner classicist needs to see how closely the opera hews to the original story. Other than that, it's a quiet time, unless you are headed for the shopping malls for the great gift return. I wish you well: I wouldn't be caught dead near a mall until the madness has passed.
 |
| Susan Graham as Dido |
http://www.theepochtimes.com/n2/arts-entertainment/opera-review-ladies-night-at-les-troyens-at-the-met-328345.html
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OPERA ON THE INTERNET
WITH
DAVE D' AGUANNO
With
most radio stations this coming Saturday (Dec. 29) carrying the LIVE Met
broadcast of "The Tempest" by Thomas Adès, there isn't much left on
internet radio, aside from a couple of interesting items which I've listed
below:
German
Radio will be broadcasting last Saturday's performance, direct from Berlin, of
Kalman's operetta "Die Bajadere" which is certainly less frequently
performed than his far better-known "The Czardas Princess" &
"Countess Maritza."
(www.dradio.de/dkultur/)
French
Radio, on the other hand, has a performance that was given in Paris on December
10. The opera: Cherubini's "Medee" (from 1797).
(http://sites.radiofrance.fr/francemusique/accueil/)
To
balance things out a bit, the Met has a couple of "hot items" that
are being offered on their FREE audio-stream, the first of which will begin
TONIGHT at 6:25 p.m. when "Les Troyens" (Berlioz) can be heard. Rumor
has it that tenor Marcello Giordani is being replaced with Bryan Hymel who sang
this same role (Enee) last summer in London, a performance that was highly
praised by the critics.
Then
on Monday evening (New Year's Eve), Donizetti's "Maria Stuarda" may
be heard (also at 6:25) with Joyce Di Donato singing the leading role, as she
will be doing later next month when the Met's HD-transmission of this work will
be shown in local movie theaters.
(www.metopera.org)
Here's a video of the latest
production from Brussels of "La Traviata" (no subtitles), recorded
last Saturday.
Enjoy!
DAVE
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The Met radio broadcast,
Thomas Adès's
THE TEMPEST
Listen to the Met Opera Saturday afternoon
broadcasts on Harvard Radio, 95.3 in the Boston area or
live-streaming online at http://www.whrb.org
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COMING TO THE JANE PICKENS THEATER, Newport
Sunday, January 11, 2012, at 11 AM
Roberto Alagna and Angela Gheorghiu singing, on ice skates? NO.
OVERVIEW
Opera On Ice is the coming together of the marvels of opera music and the acrobatic maneuvers of figure skating all in one show. Recorded in the magical setting of the Verona Arena, the largest open-air opera theater in the world, Opera on Ice offers some of the most famous arias from twelve operas which have made music history: Don Giovanni – Aida – Carmen – Romeo and Juliet – Turandot – Tosca – La Traviata – Rigoletto – Nabucco - William Tell – L’Elisir d’Amore – Gianni Schicchi.
The international importance of the show is also due to the chorus, the orchestra and the Verona Arena singers as well as to the figure skating stars taking part, first and foremost Carolina Kostner and Olympic champion Stephane Lambiel. Italian skater, Carolina Kostner, has just won the European Championships and comes first in the world ranking.
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NOT OPERA BUT...
A Month of Beethoven
Join James David Jacobs in a month-long celebration of the composer who changed everything. Featuring daily piano sonatas in some of the most compelling renditions on record, the celebration also includes recent Boston Symphony Orchestra concerts of Beethoven's orchestral works, in celebration of his 242nd birthday on December 16.
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from THE NEW YORK TIMES
For More Pianos, Last Note Is Thud in the Dump
SOUTHAMPTON, Pa. — The Knabe baby grand did a cartwheel and landed on its back, legs poking into the air. A Lester upright thudded onto its side with a final groan of strings, a death-rattling chord. After 10 pianos were dumped, a small yellow loader with a claw in front scuttled in like a vicious beetle, crushing keyboards, soundboards and cases into a pile.
The site, a trash-transfer station in this town 20 miles north of Philadelphia, is just one place where pianos go to die. This kind of scene has become increasingly common.
The value of used pianos, especially uprights, has plummeted in recent years. So instead of selling them to a neighbor, donating them to a church or just passing them along to a relative, owners are far more likely to discard them, technicians, movers and dealers say. Piano movers are making regular runs to the dump, becoming adept at dismantling instruments, selling parts to artists, even burning them for firewood.
“We bust them up with a sledgehammer,” said Jeffrey Harrington, the owner of Harrington Moving & Storage in Maplewood, N.J.
Pianos consist of hundreds of pounds of metal, wood and intricate machinery able to channel Bach, Mozart and Beethoven, along with honky-tonk, “Happy Birthday” and holiday tunes. It is strange to think of them as disposable as tissues. Yet economic and cultural forces have made many used pianos, with the exception of Steinways and a few other high-end brands, prone to being jettisoned.
With thousands of moving parts, pianos are expensive to repair, requiring long hours of labor by skilled technicians whose numbers are diminishing. Excellent digital pianos and portable keyboards can cost as little as several hundred dollars. Low-end imported pianos have improved remarkably in quality and can be had for under $3,000.
“Instead of spending hundreds or thousands to repair an old piano, you can buy a new one made in China that’s just as good, or you can buy a digital one that doesn’t need tuning and has all kinds of bells and whistles,” said Larry Fine, the editor and publisher of Acoustic & Digital Piano Buyer, the industry bible.
Used pianos abound on Web sites like eBay, driving prices down and making it difficult to sell Grandma’s old upright. With moving costs of several hundred dollars, even giving a piano away can be expensive. Abandonment often becomes the only option, especially for heirs dealing with a relative’s property.
Many pianos are also dying of old age. In the late 19th and early 20th centuries, before radio and recordings, pianos were the main source of music, even entertainment, in the home. They were a middle-class must-have.
So from 1900 to 1930, the golden age of piano making, American factories churned out millions of them. Nearly 365,000 were sold at the peak, in 1910, according to the National Piano Manufacturers Association. (In 2011, 41,000 were sold, along with 120,000 digital pianos and 1.1 million keyboards, according to Music Trades magazine.)
The average life span rarely exceeds 80 years, piano technicians say. That’s a lot of pianos now reaching the end of the line.
Piano dealers also blame other changes in society for a lack of demand in the used-piano market: cuts in music education in schools, competition for practice time from other pursuits, a drop in spending on home furnishings with the fall of the housing market.
Whatever the reason, people in the piano world agree that disposals are mounting.
O’Mara Meehan Piano Movers said it takes 5 to 10 pianos a month to the debris transfer site here. The company was founded in 1874 by the great-grandfather of the brothers Bryan and Charles T. O’Mara Jr.
Bryan O’Mara and an employee, James A. Fox, drove their truck into a hangarlike structure one day last week. Inside the truck were six uprights and four grands. Several came from the Philadelphia school system and one from a retirement home. “This was Mrs. Dombrowski’s from New Hope,” Mr. O’Mara said, patting the Knabe.
Mr. O’Mara and Mr. Fox pushed them off the back of the truck one by one. The top of an upright popped off when it landed. Mr. Fox tossed amputated piano legs and a pedal mechanism. Sprayers from above sent out a swirl of dust-settling mist, adding to the surreal atmosphere.
Mr. O’Mara had charged the former owners about $150 per piano. The trash site charged him $233.24 for dumping them all. A recycling company would pick up the debris and separate the wood from the metal.
Beethoven Pianos, a restorer, renter, mover and dealer in New York, has a 34,000-square-foot warehouse at the base of the Third Avenue Bridge in the Bronx, with scores of pianos awaiting disposal, said the owner, Carl Demler.
“In wintertime we burn them,” he said, pointing to a round metal stove. “This one has eaten many pianos.”
He watched as a worker, James Williams, dismantled a grand. “Ashes to ashes,” Mr. Demler said.
“Dust to dust,” Mr. Williams added, unscrewing pins that held the strings.
The junking of the modern descendant of the “gravicembalo col piano e forte,” the Italian precursor, can evoke strong reactions. A video posted on YouTube by one mover showing pianos being dumped drew violent remarks. Commenters said they felt sickened and called the scene barbaric, painful, outrageous, even criminal. “Stop the horror!” one wrote.
When the video was described to Madeleine Crouch, the administrator of the National Piano Manufacturers Association, she responded with a sharp intake of breath. “That makes me cry,” she said. “Pianos are lovable. You wouldn’t want your pet horse to be thrown out into the glue factory.”
Such reactions emphasize the abyss between the emotional value of used pianos and their worth in the marketplace.
“It is the most emotionally charged piece of furniture that there is,” said Martha Taylor, a rare restorer of uprights, whose Immortal Piano Company is based in Portland, Ore. “When I have to say: ‘You’ve buried your grandmother. You have to bury her piano,’ it’s a really hard thing.”
Many movers say they strive to find homes for abandoned pianos, making the rounds of nursing homes, schools and other institutions.
“You hate to see them go,” said Mr. O’Mara, whose company tries to give away discarded pianos. Any rescued piano, he noted, is also a potential future move for O’Mara Meehan. But there is just so much room in his warehouse for adoptees. He has to cull them like a herd. Churches and schools often do not have room or the means to maintain them.
Brian Goodwin, who owns Piano Movers of Nashua, N.H., and who had 30 pianos in his warehouse ready for the dump recently, said he created the Web site Piano Adoption partly as a clearing house to find homes for unwanted pianos. He posted the video of the dumped pianos that drew such shocked responses.
When owners ask where a cherished piano is going, he said, he tries to avoid the subject or tells them it will be put up for adoption.
“The last thing they want to hear is that it’s going to a landfill,” he said.
But piano movers can also take a clinical view of piano disposal, since they understand the economic realities. While noting that piano disposals can be painful, Mr. Goodwin said: “To be honest with you, the guys enjoy it. They try so hard all day not to scratch anything. And all of a sudden they get to throw it off the back of a truck.”
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NO OPERA ON WGBH TV
THIS WEEK!
NO OPERA ON WGBH TV
THIS WEEK!
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