Opera and Choral Events

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Wednesday, December 12, 2012

Week of December 13 - December 20, 2012




Met-HD December 15, 2012, 12:55 pm ET            

Verdi's 
AIDA

December 15, 2012, 12:55 pm ET
Roberto Alagna as Radames

“Ms. Monastyrska, a native of Kiev, Ukraine, and an established star at that city’s opera house, comes to the Met a fully mature artist. She is gifted with a luscious round soprano that maintains its glow even in the softest notes. Her “O patria mia” was beautifully drawn and colored with darker inflections that added dramatic intensity.”

“The combined fervor of Olga Borodina as Amneris and Fabio Luisi at the helm of a fired-up orchestra made for an electrically charged and energetic performance” (New York Times).

Synopsis: http://www.metoperafamily.org/metopera/history/stories/synopsis.aspx?id=3

To hear Roberto Alagna sing Celeste Aida, go to:
http://www.youtube.com/watch?v=UR28e5vasTs


And if you still can’t get enough of 
Roberto Alagna, check out this fan video, including the comments:  

 Roberto Alagna - Why am I so sexy ?
http://www.youtube.com/watch?v=6wIfl1kW_Qk



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Live From Lincoln Center Presents 2012 Richard Tucker Opera Gala on PBS



Honoring the legacy of America's greatest tenor through support of young American opera singers.



The complete list of singers appearing on the gala program includes Russian bass Ildar Abdrazakov, who sings the title roles in Mozart’s Le nozze di Figaro and Don Giovanni this season at the Metropolitan Opera; mezzo-soprano Jamie Barton, a 2012 Richard Tucker Career Grant recipient; Russian mezzo-soprano Olga Borodina, who plays Amneris in the Met’s revival of Aida; tenor Stephen Costello, the 2009 Richard Tucker Award-winner and husband of Pérez; Irish mezzo-soprano Tara Erraught, in her American debut; Canadian baritone Gerald Finley, who recently sang Count Almaviva opposite Abdrazakov’s Figaro; Italian tenor Marcello Giordani, who portrayed Calàf in the Met’s Turandot this season; Siberian baritone Dmitri Hvorostovsky, who stars in the Met’s new production of Un ballo in maschera and later in its revival of Don Carlo; baritone Quinn Kelsey, a 2006 Richard Tucker Career Grant recipient and 2004 Sara Tucker Study Grant winner; Ukrainian soprano Liudmyla Monastyrska, who made her Met debut in title role opposite Borodina in Aida; and Uruguayan bass-baritone Erwin Schrott, who at the Met this season sings Leporello to Abdrazakov’s Don Giovanni and Dulcamara in L’elisir d’amore opposite his real-life partner, Anna Netrebko.


Schedule

Monday
12/17/12 
3:00 AM
WGBH 44
Thursday
12/20/12 
9:00 PM
WGBH 2/HD
Friday
12/21/12
 1:30 PM
WGBH 44
The Richard Tucker
 Opera Gala
The Richard Tucker
Opera Gala
The Richard Tucker
 Opera Gala


This week on Rhode Island Public television,
WSBE:  (Comcast 294, Cox 808, Full Channel 109, and Verizon 478) 


Il Trovatore





Episode Information
Program Information
When To Watch
Great Performances at the Met
Saturday, December 15 -- 8:00pm; Sunday, December 16 -- 3:00am; Monday, December 17 -- 12:00am
Il Trovatore
A production of Verdi's "Il Trovatore," in which brothers (Marcelo Álvarez, Dmitri Hvorostovsky) compete for the affections of the same woman (Sondra Radvanovsky). Dolora Zajick costars as Azucena, the gypsy with a dark secret.
DURATION: 150 MIN
DETAILS: [CC] [STEREO]
GENRE: PARENTS PICKS
synopsis: http://www.metoperafamily.org/metopera/history/stories/synopsis.aspx?id=87

http://www.kdfc.com/pages/12626407.php


WAGNER--LOVE THE MUSIC; 
THE MAN, NOT SO MUCH
A new documentary explores the persistent dilemma that faces fans of the music of Richard Wagner. How do you reconcile the music (beautiful) with the man (less so)? Wagner’s anti-Semitism is well-documented and then there’s that whole connection with Hitler and the Third Reich which had the apparent blessing of Wagner’s descendants.
The English actor Stephen Fry who is a fan of Wagner’s music and a Jew narrates the film “Wagner & Me” which considers this question through interviews and performances. In the film, Wagner scholar Chris Walton suggests that just because Wagner may have been “a nasty little anti-Semite doesn't mean that his music is not as supreme as it is.”  “Wagner & Me” opened Friday in limited release.


Rosie’s Corner 
I’m not a great one for pitting opera singers against each other. The snarky bloggers who cannot find an equal to Maria Callas in this generation of sopranos which is graced with Anna Netrebko, Renée Fleming, Kristin Chavez and Patricia Racette, to name a few, need to have their ears—and heads—examined. To me, each one is wonderful in his/her own way. Don’t ask me to compare Roberto Alagna with Rolando Villazon, Marcello Giordani, Ramon Vargas, or Marcelo Raúl Álvarez; I like each one of them in some performances and in some roles better than others. This is a golden age of opera: We enjoy an embarrassment of riches.
Cecelia Bartoli
Then there are the mezzos. From the sleek Latvian beauty of Elīna Garanča, who burned up the screens as Carmen; to Joyce DiDonato, our own Yankee Diva who seems to have a golden touch; to the expressive and interesting Cecila Bartoli, we are blessed by these talented young singers who will be delighting their audiences for decades to come.
This week, I found a wonderful concert on YouTube by Cecilia Bartoli, performing Vivaldi.  Unfortunately, after I posted this week's blog, they took it down for copyright violations. Harumph! 

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OPERA ON THE INTERNET 
WITH  
DAVE  D' AGUANNO


New York's Metropolitan Opera leads the way this week by offering us THREE operas to enjoy, starting tomorrow evening (Thurs.) at 5:55 p.m. when their FREE live audio-stream will be airing the blockbuster "Les Troyens" by Hector Berlioz. Consider it a "preview" of what to expect next month when this same opera with virtually the same cast gets an HD-transmission at local movie theaters.

(www.metopera.org)



Then, as on the past two Saturday afternoons, the Met has another HD-transmission scheduled for this coming Saturday, when a LIVE performance of Verdi's "Aida" gets shown in area movie theaters. Tenor Roberto Alagna will be singing the role of Radames, with a "new" soprano in the title role who's been getting great reviews for her recent appearances in this role in New York City.


Plus, on next Tuesday (Dec. 18), the FREE live audio-stream will be featuring Rossini's "Barber of Seville" beginning at 7:25 p.m. In the cast will be Isabel Leonard and Alek Shrader who played the young lovers Miranda and Ferdinand in the recent HD-transmission of "The Tempest" by Thomas Ades.

"Les Troyens" is actually only one of TWO blockbuster operas that can be heard on internet radio this coming week, as BBC Radio 3 on Saturday will be broadcasting a LIVE performance from London's Royal Opera House of Meyerbeer's "Robert le Diable" -- the opera which "officially" marked the beginning of the composer's fame in the 19th century, mainly due to a ballet (within the opera) featuring nuns rising from their graves and dancing about -- provocatively, I guess. Well! -- The audio version to be heard on Saturday should be innocuous enough, at least. Bass John Relyea (seen in the Met's "Damnation of Faust") plays the devilish Bertram, & soprano Marina Poplavskaya sings Alice, another innocent-victim role like the one she sang in last season's "Faust" (by Gounod).
(www.bbc.co.uk/radio3/)

Want even more French opera? Well, leave it to Radio France to give us another one, with their broadcast from November 22, 2012, of Offenbach's "Tales of Hoffmann."
(http://sites.radiofrance.fr/francemusique/accueil/)


ENJOY!


DAVE

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RICCO CHAMBER CHOIR
Christmas Program

  • Sunday December 16th, 4:00 PM at the Church of the Immaculate Conception in Cranston, RI.     237 Garden Hills Drive  Cranston, RI 02920
All concerts conducted by
Edward Markward, Music Director    


Please visit our web page : http://www.ricco.org/

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Jonas Kaufmann as Lohengrin

LA SCALA OPENS 2012-13 SEASON WITH LOHENGRIN

  La Scala’s 2012-13 opening night was marred by controversy. Many patrons were upset that it featured Wagner’s Lohengrin rather than an opera by Italy’s own Giuseppe Verdi. This may account for the reason that it was not, as in past years, broadcast in theaters around the world.
  Italy is fighting a recession that they blame, in part, on the austerity measures imposed by the head of the European Union, Germany’s Angela Merkel. In light of the ill will generated by that conflict, to have a Wagner opera—one that Verdi thought of as second-rate—open the most famous opera season in the world adds insult to injury.
  Italian President Giorgio Napolitano was unable to attend the opening because of pressing state business in Rome, he said, insisting that he did not intend it to be a deliberate snub. Prime Minister Mario Monti, however, attended the gala along with five of his ministers.
  As if all the political drama was not enough, both the German soprano Anja Harteros, and her understudy both fell ill with flu so that Annette Dasch flew into Milan overnight to rescue the biggest night in the opera world. German tenor Jonas Kaufmann stars in the title role.
  La Scala has been struggling financially since the state covers only 40% of its budget. La Scala general manager Stephane Lissner hoped that a glamorous gala would draw audiences and sponsors to La Scala, saying that if the support for La Scala did not grow, it would be forced to close its doors after 234 years. Opening night was broadcast in Europe, Russia, and Japan. Why they left American audiences out in the cold is mystifying to this opera fan. Perhaps it will show up later in the season.  
Lohengrin can be viewed on YouTube but so far, it is only available with German subtitles. 



Features: Opera Features


Hail, Maria!

By Ellen Keel
05 Dec 2012

Donizetti’s bel canto masterpiece Maria Stuarda has its Met premiere on New Year’s Eve—a true cause for celebration, according to star Joyce DiDonato and director David McVicar.



Each of Donizetti’s three great “Tudor queen” operas—Anna Bolena, Maria Stuarda, and Roberto Devereux—ends with the heroine considering her legacy and her eternal soul. Poor Anne Boleyn rages with the effort of forgiving her enemies in an extended mad scene, while Elizabeth in Roberto Devereux agonizes over the bloodshed she has caused. Only Mary Stuart, Queen of Scots, faces her demise with peace of mind. Absolved of her sins, she even delivers an eloquent wish for the well-being of the rival who condemned her to death. Her vocal line soaring above the chorus of mourners in the finale is an unforgettable musical manifestation of her spiritual triumph. It’s the kind of effect that inspires David McVicar, director of the Met premiere production of Maria Stuarda, which opens on New Year’s Eve, to describe the opera as “a perfect example of bel canto style, telling a vivid dramatic story through music that glories in the possibilities of the human voice.”
To continue reading, go to the following link:


http://www.playbillarts.com/features/article/8737.html


The Metropolitan Opera

In case you missed it, HD host Deborah Voigt dropped in on a rehearsal of MARIA STUARDA on Saturday to get a sneak peek at Joyce DiDonato's performance as Mary, Queen of Scots. Check it out!

http://bit.ly/T5kuDo
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COMING TO THE JANE PICKENS THEATER, Newport
Sunday,  January 11, 2012, at 11 AM

Roberto Alagna and Angela Gheorghiu singing, on ice skates?  NO. 


Opera on Ice from Verona



OVERVIEW
Opera On Ice is the coming together of the marvels of opera music and the acrobatic maneuvers of figure skating all in one show. Recorded in the magical setting of the Verona Arena, the largest open-air opera theater in the world, Opera on Ice offers some of the most famous arias from twelve operas which have made music history: Don Giovanni – Aida – Carmen – Romeo and Juliet – Turandot – Tosca – La Traviata – Rigoletto – Nabucco - William Tell – L’Elisir d’Amore – Gianni Schicchi.

The international importance of the show is also due to the chorus, the orchestra and the Verona Arena singers as well as to the figure skating stars taking part, first and foremost Carolina Kostner and Olympic champion Stephane Lambiel. Italian skater, Carolina Kostner, has just won the European Championships and comes first in the world ranking.
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NOT OPERA BUT...


A Month of Beethoven

Join James David Jacobs in a month-long celebration of the composer who changed everything. Featuring daily piano sonatas in some of the most compelling renditions on record, the celebration also includes recent Boston Symphony Orchestra concerts of Beethoven's orchestral works, in celebration of his 242nd birthday on December 16. 
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The 2012-13 Radio Broadcasts:

This week
December 15, at 12:55pm
Verdi's 
AIDA

Listen to the Met Opera Saturday afternoon 
broadcasts on Harvard Radio, 95.3 in the Boston area or live-streaming online at http://www.whrb.org

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Traveling to London? Want to see Angela Gheorghiu in the house where she is queen?

Check out the Royal Opera Season Calendar:

http://intermezzo.typepad.com/intermezzo/royal-opera-house-2012-2013-season-calendar-.html




























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